He was born as Om Prakash Bhandari in a Punjabi family in 1917 in the Jalalabad town near Amritsar. Right from the age of seven he starting writing poetry in Urdu. There was no encouragement from home, but a wandering minstrel poet named Amar met him in his hometown and encouraged him to write, recognizing his immense talent and potential. He also gave him the penname of Qamar which means moon, and Jalalabadi was added for his native town. It was the general trend in those days for writers to name themselves after the towns they hailed from. After completing his matriculation from Amritsar, he embarked on his journalistic career journey by writing for Lahore based newspapers like Daily Milap, DailyPratap, Nirala, Star Sahakar.
Attracted by the promise of a career in the film industry, Qamar Jalalabadi came to Pune in the early 1940s. In 1942, he wrote lyrics for his first film Zamindar which was a Pancholi Pictures production and the songs of this film were very well received, especially the song sung by Shamshad Begum “Duniya me garibonko aaraam nahi milta”, which also had a line or two written by writer and poet Behzad Lucknawi.
Subsequently, Jalalabadi relocated to Bombay, and worked there as a lyricist for nearly 4 decades. His songs were sung by many notable singers including Noor Jehan, G. M. Durrani,Zeenat Begum, Manju, Amirbai Karnataki, Mohammad Rafi, Talat Mahmood, Geeta Roy, Suraiya, Mukesh, Manna Dey, Asha Bhonsle, Kishore Kumar and Lata Mangeshkar. He worked with many popular composers including Sachin Dev Burman and Sardar Malik.
Some of his memorable songs from his early include “sunti nahi duniya kabhi fariyaad kissi ki” (Renuka, 1947) and the ghazal “Dil kis liye rota hai…pyar ki duniya me, aisa hi hota hai” (sung by Naseem Banu for the film Mulaquat in 1947). The noted dancer Sitara Devi performed some of his songs in Chand (1944). Chand was one of the earliest of Qamarji’s successful and memorable films.
As a lyricist, Qamar Jalalabadi was very versatile. On one hand he wrote mesmeric duets like “sun mere sajana dekhoji mujhko bhool na jana…” sung by Lata Mangeshkar and Mohd. Rafi (film: Aansoo 1953) and on the other hand he penned comic relief songs like “aaj pahli taarik hai” endured with full throttle gusto by Kishore Kumar (film: Pehli Tarikh-1954). This song turned into veritable anthem and was played on Radio Ceylon on the first if every month for decades, and it probably still is. T
The film Howrah Bridge (1954) skyrocketed his career as lyricist to unpredescented heights. Songs like “Mera Naam Chin Chin Chu” (Geeta Dutt) and “aaiye meherbaan, baithiye janejaan….” (Asha Bhonsle) became highly popular.
In his long career span he worked for several Film Companies like; Prabhat Film Company, Pancholi Pictures, Filmistan Ltd., Famous Pictures, Minerva Movietone, Prakash Pictures, Wadia Films Ltd., Filmkar Ltd., Sippy Films, N.C Sippy Films, Shri Shakti Films, Mitra Productions and many more.
He was one of the founder members of prestigious organizations like Film Writers Association & IPRS in Mumbai. The music Composers he worked with were; Ghulam Haider, G. Damle, Pt. Amarnath, Khemchand Prakash, Husnlal Bhagatram, S.D. Burman, Anil Biswas, Shyam Sunder, Sajjad Hussain, C. Ramchandra, Madan Mohan, Sudhir Phadke, S.D. Batish, Sardar Malik, Ravi, Avinash Vyas and in the latter phase of his career with O.P Nayyar, Kalyanji Anandji, Sonik Omi, Uttam Singh and Laxmikant Pyarelal as well.